A group of six oddball but doughty children encounter the trail of a immense and terrible supernatural darkness that has entered our world from the farthest reaches of oblivion. They have no choice but to devote their lives battling it, facing horror after horror in the struggle.
This is the plot, roughly, of Stephen King’s seminal work It (a standout in his career; no debate). It is also the plot of Stephen King’s offspring Joseph Hillstrom King’s latest horror doorstopper, in which six friends invoke the primordial, infinitely malicious dragon the Dragon King from the Endless Night to assist them in vanquishing some antagonists. Unsurprisingly, their supernatural ritual backfires.
Joseph Hillström King launched his profession going to great lengths to distance himself from his renowned parent, using the pseudonym he continues to employ and eschewing in-person meetings with his agent (he bears a strong similarity to his father). However, in his newest work, he fully acknowledges it. There are lines that deliberately echo some of the senior author’s well-known (the famous Dark Tower introduction); a incident that recalls a recurring theme in King’s works (a battle of wits). In this epic story, Joe Hill takes pleasure in his heritage, and the audience revels alongside.
Back to those friends: the majority are scholars at the fictional the esteemed institution in Maine. First is Arthur, academic and intelligent, solving ancient puzzles in his leisure hours; the character Colin, affluent, astute, and known for crushing obstacles in his path; twins Donna and Donovan; the attractive Allie herself. Additionally, Gwen appears, who isn’t their classmate, but assumes a vital role of their circle as they dabble, somewhat credulous, partly skeptical, in arcane arts.
The protagonist finds himself, for reasons we don’t need to go into, forced into stealing prized manuscripts from his treasured institution’s archives by a bunch of local criminals. This tears at his bookish heart, notably because he’s made to take the collection’s foremost and disturbing title: the logbook of occultist this enigmatic character (executed “for trafficking with the devyll in 1703”; the binding is fashioned from his hide). The intrepid group read the journal, realize they are able to call forth what the author references as a “arrogant beast to help Arthur out with his coercion issue – and occupy the subsequent narrative reaping the consequences. This ancient entity will indeed rid them of those annoying regional antagonists, but they’ll have to choose a different victim every twelve months or become his victim themselves. As our protagonist states: “You sow dragon’s teeth, all you get is more dragons.”
Covering a generation, the author shifts with natural fluency across narrative styles: as the friends attempt to deal with the predicament they find themselves in by, in different ways, picking people who are obviously evil to immolate, or hunting down ways to slay the beast themselves, we go from suspense to dark fantasy, covert operations to romance to terror. My favorite genre switch was to a heroic journey, deep in the caves below Cornwall, a section infused with the Lord of the Rings author that was magnificently horrifying.
The novel features trolls – bridge-dwelling ones and internet antagonists, genuinely frightening and superbly depicted. There are magical swords and deceptions, heart-stopping scenes of bravery and instances of terrible wickedness, both earthly and supernatural. It’s a tour de force: a chilling book that is primarily a tribute to the human inventiveness, and to affection and camaraderie. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the companions sit around the table, preparing to summon their serpent to life with the power of their thoughts.
According to Joe Hill in his epigraph: “This is dragon territory”. Do not overlook this.
A tech journalist and digital anthropologist focusing on the societal impacts of emerging technologies and online communities.