Eurovision Was Traditionally a Lighthearted Spectacle – Yet It Has Transformed Into a Cynical Way to Whitewash War.

An freshly coined term came to light several months after the start of Israel’s bombardment of Gaza. Referred to as WCNSF, it signifies “Injured child with no living relatives”. This acronym is unique to Gaza, per insights from medical experts such as paediatricians. Normally, it is unusual for physicians to care for a young patient who has seen the death of their whole family. Yet, there has been nothing “normal” about the devastating conflict in Gaza, where whole bloodlines have been wiped out and the number of child amputees is greater than that of any other region in the world. Nothing normal in numerous doctors returning from a devastated terrain with testimonies of children being systematically aimed at.

An Unimaginable Crisis Despite a Supposed Ceasefire

Gaza remains an utter catastrophe. Essential medical supplies are failing to reach those in need, and groups like Amnesty International have stated that violations are still being committed. Officials rejects these allegations, consistent with how it disavows everything it is implicated in. Yet as traumatised orphans are now suffering from the cold in improvised encampments, there is some ostensibly positive news: apparently nothing is going to stop the Eurovision song contest from continuing with its stated mission of “unity and cultural exchange.” Eurovision will continue to offer a blood-red carpet for Israel, although a number of European countries have now withdrawn in objection. Because this, we are told, is what global togetherness resembles.

Eurovision, of course prohibited Russia from competing in 2022 due to the “unprecedented crisis in Ukraine”. Yet the conflict in Gaza appears to be treated differently.

Contradictory Principles

Forget the fact that Israel was criticized for unfair vote practices last year in what could be seen as an bid to politicise Eurovision. Set aside the news that a toddler was allegedly fatally struck in Gaza recently. Neglect the data that aggression from Israeli settlers and coerced removal in the West Bank have surged. Overlook the situation that foreign reporters are still denied freely reporting in Gaza. None of this, it would seem, should be permitted to obstruct of Eurovision’s cherished spirit of unity.

The Contest Continues Against a Backdrop of Staggering Tragedy

Eurovision reaches its seventieth anniversary next year – roughly two times the current lifespan of a person in Gaza today. The show may go on, but it will never be able to restore the camp joy it was formerly known for. A contest that initially championed peace has now become a cynical way to whitewash war.

Ryan Mack
Ryan Mack

A tech journalist and digital anthropologist focusing on the societal impacts of emerging technologies and online communities.